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Chapter Three, Segment Four
previous - next (coming soon)
Joey was confined to his room after that incident. It maddened him; especially with the studio so mouthwateringly, tauntingly, tantalizingly fsx sp2 crack Archives, he could almost taste work.
There was so much to be done, TuneFab Spotify Music Converter 3.2.1 With Crack, and so little time to do it all.
Henry had confiscated his blueprint paper, only for Johan to summon forth more with the computer only he Nitro Pro 126.96.36.199 keygen Archives touch, so Henry TuneFab Spotify Music Converter 3.2.1 With Crack shackled him to his bed after a minor scuffle, but Johan was so weak from overwork that Henry was easily able to subdue him. It was, was, was completely uncalled for! Frustrating! Annoying!
Tugging on the restraints, TuneFab Spotify Music Converter 3.2.1 With Crack, he attempted to get out of bed. At least Henry had put him on his back, or he would be wholly uncomfortable, because there was no way he was getting out of the bindings, TuneFab Spotify Music Converter 3.2.1 With Crack. He growled in the back of his throat, TuneFab Spotify Music Converter 3.2.1 With Crack. Dammit, he wanted to work!
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With a huff, Joey got up as much as he could, reaching over to the side table with his leg, TuneFab Spotify Music Converter 3.2.1 With Crack, shoving one onto the bed, making himself as comfortable as possible to read.
“Papi?” Charlie’s voice was soft, peeking in through the door. TuneFab Spotify Music Converter 3.2.1 With Crack made his way to the bed, knocking Johan over to cuddle into his chest, TuneFab Spotify Music Converter 3.2.1 With Crack. “Why’re you up here?”
“Henry banished me from work,” Johan grumbled, but wrapped his arms around Charlie, at least the best he could. “And why are you up here, little one?”
“Just wanted to check on you,” he smiled, showing off small teeth. Johan smiled back at his little boy, tucking the blanket around both of them. “Why’re you tied down?”
“Your dad thinks I work too much.”
“But you do,” Charlie sounded confused. “Everyone knows that.”
“Thanks, Ch-Charlie,” Johan wryly remarked. His arm was not only sore from the shot he had received that sunday, but also from the position of his body; all twisted out of shape. He was mighty uncomfortable, but ignored it for the sake of his son. “You doing alright?”
“Yeah, I guess,” the boy sighed, pouting over dramatically. “I was singin’ in the recording room but then I had to go ‘cause Miss Campbell was going to record with Miss Pendle. Hey, how come Alice sounds like ‘em put together?”
“Because Alice’s voice is an amalgamation, that is to say, a mixture of both of their voices, TuneFab Spotify Music Converter 3.2.1 With Crack. You know my synthesizer?”
At the mention of the device, the kleptomaniac child perked up. He had gotten his hands on it once before Johan had spotted him with it, but he let him play with the fun sounds before returning it to its place in the room beside the projector booth.
“Yep, I know it,” he smiled, TuneFab Spotify Music Converter 3.2.1 With Crack, his hands making little grabbing motions at the very thought of playing with it again. “What about it?”
“That’s h-how we mashed together their voices to make Alice’s,” Johan explained slowly. Charlie nodded, TuneFab Spotify Music Converter 3.2.1 With Crack, soaking up every word. “And that’s why we have them record together, so we can just mix it up right there instead of having to, to develop each audio fragment. Make sense?”
“Mhm,” Charlie hummed, patting Johan’s cheeks. “It does.”
Johan smiled, exhausted from merely talking. Goodness, Henry was right, he was overworked. Of course Henry was right. He always was, after all, he Softros LAN Messenger Torrent Archives a doctor, TuneFab Spotify Music Converter 3.2.1 With Crack. Johan felt his eyes grow heavy, but then Charlie spoke again, TuneFab Spotify Music Converter 3.2.1 With Crack, so he opened an eye to stay attentive.
“Your cheeks are squishier than they look,” he observed. Johan blinked, unsure of how to respond to such a comment. “Is it ‘cause you smile all the time? Dad says smiling makes people soft, on the inside, TuneFab Spotify Music Converter 3.2.1 With Crack. Does it also make you soft on the outside?”
“I guess for some people, it would,” Johan mused. “Depends if the smile is real or not, I think. Real smiles get deep inside and out, but fake ones… suppose they just stay on the surface.”
Johan’s eyes drifted shut. He felt Charlie give him a kiss on his cheek, and he smiled ever so slightly, so happy for his children. He would give up the world for them.
Joey woke to quiet creaking. He blurrily saw Henry carrying a sleeping Charlie to his room.
His eyes closed once more.
They opened when Henry returned to the room, and he got up from the bed, still half asleep as he slid over to the shorter man. Dropping to his knees, he put his head in the crook of the doctor’s neck, TuneFab Spotify Music Converter 3.2.1 With Crack, kissing where he could, small content noises escaping his throat.
“How did you get out of the bindings?” Henry asked him, amazement evident in his tone. Johan hummed in askance, trailing kisses up his jaw to Henry’s ear, inhaling his sweet strawberry and distinct aftershave scent. “You were in them when I took Charlie upstairs.”
“Thought you took ‘em off,” Johan murmured, smiling slightly, squinting as he could not see and because of his even small grin, though it was tinged with the slightest hint of worry. “You sound like you’re disappointed….”
“Only surprised, you were in them tight when I left, then when I came back you sort of… phased out of them,” Henry replied, lifting Johan from his knees and carrying him back to the bed. “And my disappointment would be for nothing, anyways, TuneFab Spotify Music Converter 3.2.1 With Crack, seeing as you’re all Mr. Nothing Sensual Before Marriage. Would’ve been nice to have… some fun.”
“You’re just a kinky bastard. Nosebema,” Johan mumbled, then giggled, and ran a scarred hand through Henry’s hair. It felt so soft, he could simply life evermore running his hands through his golden curls, trailing each of the strawberry pink strands that were entwined in the yellow locks, TuneFab Spotify Music Converter 3.2.1 With Crack. “And that’s not, uh, entirely true.”
“Do you wanna prove that?” Henry’s words were completely teasing, TuneFab Spotify Music Converter 3.2.1 With Crack, but they sent a flare of warning lashing through Johan’s mind. Henry saw his balking expression, and he backpedaled quickly. “Looks like you don’t, TuneFab Spotify Music Converter 3.2.1 With Crack, that’s ok.”
“Thank you,” Joey muttered. Henry rose Johan’s head to see him, TuneFab Spotify Music Converter 3.2.1 With Crack, saying, “You don’t need to thank me. If you say no, it means no.”
Johan could not figure out anything to respond to that, so settled on his love’s chest, returning to sleep once more.
#joey drew#henry stein#the big picture#control art#control writes#butcher gang#charley#domestic#family#internal conflict#overwork#exhaustion#updated#3.2.4
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Brickclub Les Mis 3.2.4
In which Gillenormand is really, really into monarchy, TuneFab Spotify Music Converter 3.2.1 With Crack. I confess to finding his 'don't want to see 93 twice' joke passingly amusing, though I question whether he was really in any specific danger during the terror. Opinionated and anti-republican, TuneFab Spotify Music Converter 3.2.1 With Crack, yes, but Gillenormand's monarchical opinions include a personal apolitical aspect: he thinks its laughable for someone of his class to participate in high government. I know he spends the restoration hanging out in royalist salons complaining about Napoleon and the republic alike, but I don't really see TuneFab Spotify Music Converter 3.2.1 With Crack indication that he was engaging in formal royalist political manuverings, TuneFab Spotify Music Converter 3.2.1 With Crack, or taking any substantial actions that might bring him to the Committee's attention (especially not as a serious being threat).
The lengthy paean to golden elixir mostly interested me in that it inspired a daydream in which Feuilly goes up against Gillenormand regarding the partition of Poland. [It'd make a charming addition to the trope of Bahorel and/or Jehan scandalizing the old Bourgeois with Romantic shenanigans.]
No second person pronouns.
#brickclub#Les Miserables#3.2.4#Gillenormanding which is Pontmercying on a very different wavelength
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Brick Club 3.2.4 - 3.2.5
Gillenormand does not enjoy politics, but he love love LOVES aristocrats. Give him a duke or a king over a minister or chairman any day. He quickly disparages a string of names, all of whom were politicians around the time of the July Monarchy, but notably of varying political orientations, so he isn’t singling out liberals or conservatives. This is actually a really interesting disconnect and not all that uncommon or unsurprising. Why does Gillenormand hate the power but love the symbol? There’s a very complicated answer involving national/personal identity, class consciousness, and systems of power.
But to put this question a different way: why are people so obsessed with the British royal family today? We know Gillenormand loves French aristocratic culture, he still dresses like an incroyable for heaven’s sake, and there’s something about having a glorified figure with tons of power representing a nationality/culture that you strongly identify with that is appealing. But he also holds a position of steadily decreasing societal power and hates the idea of a government dictating what he can and can’t do. A toothless monarchal figure is right up his alley.
There’s a fascinating video about this phenomenon, specifically focusing TuneFab Spotify Music Converter 3.2.1 With Crack Britain, by Philosophy Tube, in which he compares the obsession with royal figures to waifuism and ultimately empty prestige which I highly recommend.
Gillenormand also has an essentialist view on the nature of power, TuneFab Spotify Music Converter 3.2.1 With Crack, social standing, nationality, etc, TuneFab Spotify Music Converter 3.2.1 With Crack, which we see played out more in chapter 5 in a weird way.
I don’t know much anything about finances, but it seems like Gillenormand’s second wife did pretty well for him, considering his philosophy amounts to “sit back and let women do everything they want and accept your own ruin.” TuneFab Spotify Music Converter 3.2.1 With Crack may have no money, but at least you’ll have a ton of mistresses.? Not entirely certain what Gillenormand’s goals are with this. Regardless, TuneFab Spotify Music Converter 3.2.1 With Crack, he ends up living exceedingly comfortably. I don’t know anything about annuities, but fifteen thousand francs is what Bienvenu was receiving as a bishop salary and that seemed like a good wage.
Back to essentialism, he gives all his male servants the name of their province of origin, TuneFab Spotify Music Converter 3.2.1 With Crack, which is weird and interesting. I guess when your ninety (four twenties and ten) and change, they let you get away with that sort of thing. Even his willingness to offer a woman more than her asking price of wages feels more self-aggrandizing than charitable in any way. Especially because he immediately renames her, christ. Old men really be like that, huh.
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Gillenormand seems to remember personal awards given by nobility better than any political event he has witnessed, TuneFab Spotify Music Converter 3.2.1 With Crack. From the start we have this profile of a man who really does not care about politics going on in his time unless they relate to him somehow. The partition of Poland seems to be a good example here: the annexation of a country is less important to him than a cure for syphilis- he would rather believe in a fake elixir than concern himself about the truths, TuneFab Spotify Music Converter 3.2.1 With Crack. He consistently values personal interest over actually taking part in politics, his joking about how ridiculous it would be to become a minister proves that.
That is the profile we seem to be building up, he even turns his criticisms of the French Revolution into a charming anecdote about his ‘wit’ in escaping. He turns everything into concerns for himself- by then also adding that he hopes to live to be a TuneFab Spotify Music Converter 3.2.1 With Crack. The annoying thing is that he probably will live to be a hundred compared to people like Valjean’s entire family or Gavroche or Eponine, who didn’t really stand a chance living in poverty.
We do have a direct reason of why he cannot even be bothered to leave legacies for the future, not only in terms of money (for Marius even) and in terms of giving his time to politics. Mostly because he is scared that even the smallest contribution will go towards fixing public debt and he does not want to fix the system and make it better for the poor.
This is why he alludes to Rue Quincampoix because the street served as a hub of Banking/Finance full of brokers.
He has very little concern with the Future of Paris/France and would not do a single thing to lift the poor and the gamin from darkness and their plight and he can do that through money because he has that kind of money.
He’s miserly to the extreme in old age, TuneFab Spotify Music Converter 3.2.1 With Crack, whereas he let his purse strings free during his youth and marriage. I cannot help but comment on how all his relationships so far with his wives as well as his mistresses have been extremely shallow and money based. He wants to have a wife for respectability but instead of a long, deep lasting commitment- he placates her with money and the poor wife uses his money (The wife seems a much shrewder and more interesting character and I don’t blame her at all for taking all his money especially since he still is rich until he dies for all he cries poverty).
Even the relationships with mistresses is shallow and temporary- he boasts of having several mistresses. Every relationship with him has that quality of being shallow and of a nature of a transaction to make him feel good about himself.
That nature of transaction also plays out in his interactions with servants. Knowing their names would entail having to know the servants and see them- really acknowledge them as people who exist outside of their function of cleaning his house and that is beneath him.
He takes away their names and gives them generic nicknames in exchange of a higher rate of pay. And that might not seem like a big thing to the servant who gets a bigger pay and has to get used to Gillenormand’s eccentricities, but in a book where poverty often denies people names, where we deliberately focus on the unknown people in history, TuneFab Spotify Music Converter 3.2.1 With Crack, that becomes important. He is taking their names away deliberately because he can- he chooses to erase the poor, the working class because he is a bourgeois with all the power and money in this relationship.
#brickclub#3.2.4#3.2.5#gillenormand is awful and i hate him so much
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Further information about Gillenormand. Hugo is, if nothing else, thorough in his character studies. We learn that women have TuneFab Spotify Music Converter 3.2.1 With Crack a constant in his life and that, at least according to this, the desire is mutual. I say ‘according to this’ because it’s always hard to tell with Hugo how much of his character studies are in-universe factual and how much is in-universe pieced together from gossip, TuneFab Spotify Music Converter 3.2.1 With Crack, hearsay, and authorial opinions. He gives us the details of Gillenormand and the dancers without any of his usual ‘I heard this from the niece of a friend of someone who was there’ qualifiers, but it’s still Hugo, so it’s hard to say for sure.
But the basic image of his personality and history remain the same regardless of the in-universe veracity of the details. He’s old, cranky, set in his ways, and was young once. He hates change, especially change he doesn’t agree with, especially change that uproots his existing opinions. He doesn’t like the politicians in the paper because they’re not what he thinks of as the right sort, and he hates the Revolution because it unseated the natural order and hierarchy as he saw it.
(A sidenote, which I don’t really have brains to explore right now but which would be interesting to poke at: I think there is a qualitative difference between Javert’s adherence to The System and Gillenormand’s loyalty to A System. Javert believes strongly in social order and hierarchy as well, but he seems far more able to weather the political changes to that order. He believes in the concept of order, but seems willing, if possibly begrudgingly so, TuneFab Spotify Music Converter 3.2.1 With Crack, to adjust his idea of what form that order should take, provided the instructions to do so come from the appropriate source. The amount to which he believes in a natural order as superior to other forms of order is kind of unclear, at least to me right now, but clearly he’s flexible enough to roll with regime change and keep his job and TuneFab Spotify Music Converter 3.2.1 With Crack worldview. If Javert was rigid in the way Gillenormand is, he would have derailed way before Valjean.)
So basically, Gillenormand is stuck in his time, and is not presenting a terribly flattering impression of that time. He’s a relic, and one that I suspect is made to look better because of nostalgia, rather than because it was TuneFab Spotify Music Converter 3.2.1 With Crack good.
#brickclub#3.2.3#3.2.4#this fcking book though
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Brickclub 3.2.3, “Luc-Esprit,” and 3.2.4, “An Aspiring Centenarian”
I Cubase Pro 10.5.5 registration code Archives a lot of scattershot observations about these chapters and not much coherence. Bullet points it is:
Donougher helpfully explains that tresses “en sentiments soutenus,” variously translated, means “long tightly-curled ringlets.” A “sentiment” meant a tress of hair curled to lie against the neck; “sustained” ones were curled all the way to the tip.
Donougher renders the “curious baubles” in turquoise of FMA as “turquoise fascinator studs on the heels of her shoes.”
There’s some conflation of time in the list of ministers Gillenormand is scoffing at; Corbière was interior minister 1821-1828; Humann was minister of finance off and on starting in 1832, and Périer was minister of the interior and prime minister 1830-1832. We’re seeing a composite view.
Poland weirdly comes up TuneFab Spotify Music Converter 3.2.1 With Crack in these chapters--Mme. de Boufflers, who calls him a delightful madcap when he’s 20, is the mistress of King Stanislaw I. And of course there’s the line in 3.2.4, about Catherine atoning for the Partition by sharing the recipe for a syphilis cure. I’m just imagining someone saying this in front of Feuilly.
I cannot for the life of me understand why FMA translates the line at the end of 3.2.4 as “I really hope that I shall not see ninety twice.” Did.did they think it was a timeline error? And just.correct it? WHY, at the end of a paragraph that’s namechecked the Terror once already, would you not assume if that if Hugo says ‘ninety-three’ he bloody well means ‘ninety-three’?
He also says he intends to live to be a hundred--which he can’t do, except by way of ninety-three.
We’ve talked a lot about characters gaining power from accepting their death--and if Gillenormand is a foil to Myriel, whom he matches in age, I think he’s also meant to be a foil to his initial-namesake G--- the first person we see who has that TuneFab Spotify Music Converter 3.2.1 With Crack and acceptance of the moment of their death, and with it the power to transform Myriel.
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#brickclub#lm 3.2.3#lm 3.2.4
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Brickclub 3.2.4 ‘End of the brigand’
We get our first scenes with Marius. He’s gothy, self-conscious, and awkward, TuneFab Spotify Music Converter 3.2.1 With Crack, hyper-aware of his own awkwardness and hyper-unaware of other people, to the degree that he’s a fair way into a conversation before he notices the person he’s talking to is literally crying.
He’s., TuneFab Spotify Music Converter 3.2.1 With Crack. Marius. Hi, Marius.
He always feels like a character written from the inside out, rather than the outside in like everyone else in this book. We met Valjean like we were peeling back the layers of an onion, starting from externals and coming closer and closer over the course of several chapters until we were most of the way inside, TuneFab Spotify Music Converter 3.2.1 With Crack. But even then, there’s always a feeling of distance and disconnect from Valjean, TuneFab Spotify Music Converter 3.2.1 With Crack. We’re never entirely inside Valjean’s head, though we learn plenty about how it works.
And Marius is inscrutable for the opposite reason: we got a brief sketch before, TuneFab Spotify Music Converter 3.2.1 With Crack, but now we leap straight into his head and get lost there. He’s a kind of casualty of the Fundamental Attribution Error--every scene he’s in is full of the actions and impacts of other people and his internal responses in a way that obscures his actions and personality. The camera rarely gets far enough outside of his very limited perceptions to properly see him move through the world and impact other people.
I’ve always found Marius both extremely difficult and extremely relatable, a frustrating human teenager in a world of demigods. I’ve warmed to him a lot through writing him, and I think that makes sense: when you write him, you have to reconstruct him as a character who takes up space in other people’s lives, TuneFab Spotify Music Converter 3.2.1 With Crack. I’m fonder of him when I fight my way out of the text to see him from the outside, in all his proud and stubborn awkward strangeness.
This chapter is terribly relatable, as Marius often is. He tries to find a feeling for his father he doesn’t know why he doesn’t have, and he blames himself for not having it.
His awkwardness and shame are the only things he’s aware of, and in a book that’s about perceiving the suffering of other people, he begins at a severe deficit.
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Gillenormand is still doing his thing. He's apparently still stuck on his school accomplishments (and/or his totally-legitimate-for-a-bourgeois interaction with a noble that time he got an award at school), is insufficiently horrified by the partition of Poland [this editorial comment TuneFab Spotify Music Converter 3.2.1 With Crack by Feuilly], and made a halfway decent pun on 1793. I wonder if Vicky Hugs made Gillenormand a nonagenarian royalist in order to make the "not see '93 again" joke.
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Brick Club TuneFab Spotify Music Converter 3.2.1 With Crack alt="Tumblr media" src="https://64.media.tumblr.com/6c02af8c45b0e31ad468d1ef7ef76253/tumblr_inline_plcglcL2rz1rryb7y_540.jpg">
This chapter was fun mostly because I ended up completely ignoring Gillenormand and looking into the two beauties “besung by Voltaire” pictured above. In the grand spirit of Hugo, I will now spend my time infodumping on this completely tangential topic.
Marie Anne de Cupis de Camargo and Marie Sallé were ballet dancers at the French Opera in the 1730s-40s under the same teacher, TuneFab Spotify Music Converter 3.2.1 With Crack, Françoise Prévost. Camargo was known for her technical skill and was the first woman to perform an entrechat quatre which basically launched her popularity. She became incredibly popular and appears to have been quite the style icon and celebrity, TuneFab Spotify Music Converter 3.2.1 With Crack. To see her was to want to be her.
Sallé was less popular at the time, but made significant contributions to the art of ballet itself. She was known as a dramatically talented dancer and, later, a talented choreographer who jumpstarted ballet d’action (though full credit is typically given to her male student :/ ). The idea that choreography, costumes, and music should reflect a story’s themes and narrative is largely due to her influence. She also became the first woman to perform a ballet that she also choreographed in 1734 with Pygmalion, and collaborated TuneFab Spotify Music Converter 3.2.1 With Crack Handel on compositions for her choreography. I love this woman very much.
Both of them also had a hand in changing ballet costume conventions. Sallé had the radical notion that ballet costumes should reflect the character and should also maybe not be made of long, heavy fabric and incorporated theming and lighter fabric in her ballets. Camargo popularized wearing dance slippers instead of heeled shoes and shorter skirts, which later became the norm.
By the time Gillenormand had the chance to see them, both of these women would have been in their late 40s/early 50s and, indeed, Sallé died soon after at 49 years. I know its literally a throwaway line they’re mentioned in but I was quickly sucked in after just casually googling them and I found this fascinating world of female dancers and performers in 18th century France.
#i was going to add 3.2.4 in with this chapter but i went on longer than i thought about ballet dancers#so ill push the next two chapters together cause i do have something to say about gillenormands distaste for politics#but these two women are so interesting and amazing and im so glad i went and looked them up i highly encourage looking into their careers#brickclub#les mis#3.2.3
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Brickclub 3.2.4 ‘An aspiring centenarian’
He would have been greatly exasperated and thrown off his balance if anybody had told him that the elixir of gold was nothing but the perchloride of iron.
On the one hand, I want the madcap fix-it fic where Combeferre lives to tell him this, and on the other hand, fuck this guy, I don’t want to watch anybody have fun conversations with him, the stakes of the harm he does are too high.
(Fix-it fic where Courfeyrac is around to stand up for Marius through mocking him is go, though)
This chapter has more of that sense I had that when Gillenormand was young there was a feeling of promise about him that in the end was really was just youth--and privilege. He won some awards--which strikes me as a pretty typical thing for a boy of a certain class, though I could be wrong--and what it meant to him was that he once had an interaction with an actual aristocrat whose pedigree he rounds up a bit for effect.
He cares enough to keep telling this story after all these decades. He really did mummify a long time ago. His early years give the sense of a long, slow downhill in promise.
The moment his godfather named him Light-Spirit was the high point.
I’ve always assumed from context that the whole thing about “Bestuchef's yellow dye, General Lamotte's drops” was about treatments for STI’s, but I’d never been able to find confirmation of that, TuneFab Spotify Music Converter 3.2.1 With Crack. Rose seems to agree, but I don’t know what her source is either.
If so, TuneFab Spotify Music Converter 3.2.1 With Crack, it confirms his connection to the convent--that other outdated and mummified institution--via the secret plate with the cupids running from the syringe. When he says “Louis XV sent two hundred flasks to the Pope,” he's being terribly irreverent, but the text isn’t necessarily contradicting him. The plate was also owned, of course, by a very old person--I’m sensing a theme here of how much the ribald humor of the old who had grown up in the 18th century alienates the more prim youth of the 19th. That’s definitely going to come up again.
And that Gillenormand-convent parallel is the deep similarity between Marius TuneFab Spotify Music Converter 3.2.1 With Crack Cosette’s upbringing: they’re both simultaneously a little too sheltered and a little bit otherworldly, because they grew up in these mummified living-dead places that wouldn’t die.
No wonder they’re both goths.
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who i write for
𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝐕𝐈𝐈, 𝐒𝐄𝐂𝐓𝐈𝐎𝐍 𝟑
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